Adamson S-Series Live is Coming Back

For the 5,000-plus people attending the recent Festival One in Hamilton, New Zealand, the return of live music went from being a vague promise to a welcome reality – a chance to party like it was 2019 and take in a full-fledged live experience again.

Undoubtedly, the audiences and artists who performed over the three-day festival were thrilled to be there. But it’s a fair bet nobody was happier than audio engineer Benny Masterton, who designed the system and – as one of very few engineers in attendance – mixed many of the artist’s sets. “After almost 12 months of ‘retirement’ it was an absolute pleasure,” Masterton says. “I haven’t done this for so long, so I felt a bit rusty, but it was exciting to have that side of my brain working. And I was happy we had an Adamson system because I personally love their PAs, and knew I’d get exactly what I needed out of it.”

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Adamson IS-Series rig in 360-degree configuration

 An Adamson IS7 line array system has been installed into the 30,000-capacity Taoyuan Arena, which has a membrane domed roof supported by steel cables. One of only five such structures in the world, the construction technique gives the circular stadium a “big top” feel and in-the-round configuration which lends itself to sporting events, exhibitions and cultural performances.

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Crews load in for Little Glee Monster at Tokyo's Budokan.

The Beatles, Led Zeppelin and Queen have graced its stage; artists from Bob Dylan to Blur have released albums recorded within its walls. Now, live music has returned to the legendary Nippon Budokan, as rising J-pop stars Little Glee Monster recently kicked off their Japanese tour at the iconic Tokyo venue. An Adamson Systems Engineering system supported the ground-breaking event for the group, the start of their largest arena tour to date.

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